The pitched roof, defended as a formal necessity rather than a nostalgic default.
Plinth Two began as an argument. The studio's position, stated plainly in the design notes and reproduced here without softening, is that the pitched roof survives in vernacular birdhouse design not out of sentiment but out of hydrology, and that a studio serious about modernism owes its client an honest roof before it owes them a fashionable one.
What results is a single raised block on a broad, stable plinth base, with a roof pitched at exactly the angle our drainage modeling recommended and not one degree steeper, because a steeper pitch would have been for us and not for the bird.
31 degrees was arrived at empirically, not aesthetically, by modeling water runoff against entry-hole exposure across a range of pitches and selecting the angle at which the chamber remained driest without the roof beginning to visually apologize for itself. We are aware that most vintage patterns use a steeper pitch. We consider most vintage patterns to be, on this particular point, overcorrecting.
White oak was selected for its rot resistance and its refusal to look expensive, a combination this studio finds increasingly rare and increasingly worth specifying by name rather than leaving to "your choice of hardwood," a phrase we have removed from every plan set since Revision 2.